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The ENVOY ... its mission, to reproduce music in real space and time
In all directions, as far as the eye can see, you
find speakers of every conceivable size, technical conception, and
price. Such variety is only "skin deep", however, because after a
moment's thought you inevitably come to a bewildering conclusion:
virtually all the speakers available today are directional. But is
directionality the ultimate truth?
We don't think so.
SPEAKER
PHILOSOPHY
If we seek vivid, organic, and true-to-life music reproduction, we must
first try to understand how sound arises in nature. One lovely stroll
in the park later and it becomes painfully obvious that the
directionality of conventional speakers is entirely un-natural!
Drive unit cones in a directional configuration
are pointed at the listener like a funnel, and they behave accordingly
- like megaphones. It makes no difference what type of cabinet design,
drive units, cone materials, toe-in, or crossover techniques are
implemented. A directional speaker will always YELL in your face.
If we want to produce sound as it emerges in
nature, there is only one genuine solution: omnidirectionality. Of
course, we are well aware of the fact that the confirmed views and
practices of today’s loudspeaker industry make such an
assertion virtual heresy! And, yet, namedropping the likes of Mirage,
Ohm/Walsh, Precide Heil A.M.T and
Shahinian, and reassures us that we are not entirely alone.
The ENVOY, our first
non-directional speaker, arose out of our lifelong experience and
never-ending frustration with ’directionals’.
Conventional speaker systems cannot faithfully recreate music as we
hear it in a live setting. No matter how large or expensive, they are
always lacking in their reproduction of true space and real time.
As renowned hi-fi journalist/ Paul Messenger writes: “an
omnidirectional speaker is much more effective at creating the
impression that the musicians are actually playing in your
room”. Our acceptance of this was the first step on the long
road of research and development which ultimately resulted in the ENVOY. The radical approach of
this
remarkable loudspeaker, however, only begins with omnidirectionality.
CABINET DESIGN
The clean angular aesthetics of the Envoys cabinet design and
construction are a functional part of the total experience - the
striking omnidirectional sound-radiation pattern that immerses you
right in the heart of the music. However, the ENVOY
also employs another unique solution - the TMR™
loading of its bass-driver.
TMR™
combines two normally ‘either/or’ loading
principles: transmission line (‘TM’) and bassreflex
(‘R’), resulting in an exceptional bass response
which defies the compact physical size of the ENVOY.
TMR™
loading successfully unifies the exceptionally deep and voluminous bass
of a ‘quarter-wave’ labyrinth with the remarkably
fast and dynamic bottom-line drive of a correct bass-reflex tuning. The
open and space-filling nature of the mid and upper ranges achieved by
our omnidirectional principle seamlessly blends with this bass response
to provide unsurpassed performance full of organic insight, vivid
physical
presence, and natural detail.
DRIVE UNIT
& CROSS-OVER TECHNOLOGY
The ENVOY is a fully-fledged 3-way
design. In the process of its development, we had three main criteria
in mind:
• to create a loudspeaker which displays
fewer of the negative attributes commonly associated with multi-driver
speakers, so that it approaches the speaker alchemist’s
dream, the ’uni-driver’ ideal, as closely as
possible.
• to develop an impulse response and
sound pressure capability over the entire bandwidth most closely
resembling real music.
• to achieve these characteristics in the
context of an omnidirectional and evenly distributed, yet musical,
sound pattern in the listening room.
Technically speaking, the biggest challenge was to
find three units: a bass driver, a midrange unit, and a tweeter, which
are very closely related to each other in their efficiency, off-axis
frequency and impulse response, as well as in their ’step
response’ and ’group delay’ parameters.
The application of mechanically robust drive units with
extremely light and stiff cones proved to be paramount in achieving
this goal.
The 8-inch bass
driver uses a ceramic/aluminium composite cone in an aluminium-cast
chassis with double magnet and 1.5’’ voice coil.
The midrange is a 50mm titanium dome tweeter with ferrofluid cooling,
whilst the tweeter is a 25mm titanium dome with neodymium magnet. The
exceptional coherence of these drive units is achieved by a 6 dB
low-pass/18 dB high-pass crossover using Linkwitz-Realy filters while
at the same time uniquely avoiding the use of resistors. High quality
aircore coils and custom-made ClarityCaps polypropylene capacitors are
used in the network, the latter being connected by a proprietary
puresilver, teflon-insulated speaker wire to the drive units.
| Specification: |
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Recommended Amplifier Power:
Frequency Response:
Sensitivity:
Max. Sound Pressure:
Nominal Impedance:
Mode:
Weight:
Dimensions:
Finish: |
40-200 W
42Hz-20 kHz +/- 2.5 dB
90dB / 1 m / 2.83 V
110 dB (at 1 metre)
8 ohms (min. 6.2 ohms)
Floorstanding
26 kg
27 x 34 x 84cm (W • D • H)
Available in various real wood veneers |
PLEASE NOTE :
The Envoy is a product study,
and not an integral part of our official product range. We build the
Envoy, however, on individual order. It is currently only available in
our showroom in Budapest to hear.
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