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Unleashed
by ION Systems in what only now seems like the twinkling of an eye
during the early 1990s, Richard Hay’s original amplifier
concept stirred emotions in Hi-Fi freaks and music lovers alike. The
Obelisk was something unabashedly different.
As Alec Issigonis set the
automotive world on its head with his Mini in 1959 – a
groundbreaking design with front wheel drive, transverse engine, sump
gearbox, and phenomenal space efficiency –, so the
half-width, shoebox-sized Obelisk challenged the status quo with its
decidedly austere exterior, flexible upgrade possibilities, and controversial
non-DC-coupled
topology (by then, largely considered virtual heresy for any
serious transistor-based amplifier).
But above all, it managed to render recorded music, well, disarmingly musical.
Like the metamorphosis of
the classic Mini into the ’new MINI’ under the BMW
banner with modern safety, emissions and manufacturing principles, so
too we have resurrected the Obelisk – by applying advanced
design solutions, utilizing superior-quality component parts, and
meeting higher production standards.
Therefore, we take
tremendous pride in presenting the Heed
Audio Obelisk Si integrated amplifier, its supplementary Obelisk X-2 outboard power
supply, and matching Obelisk PAS
stereo power amplifier.

This very first 21st century
Obelisk sports 5 line inputs, remote volume control, a beefed-up power
supply, stand-by facility, and the ability to accept either optional
phono stage or DAC modules.
And that’s not to mention an entirely re-imagined
preamplifier section based upon, and yet newly refined from our
innovative 2-box Luna preamp. But we have never lost sight of
the pivotal principles set forth by its classic predecessor;
the active involvement of Richard Hay throughout the entire development
of the new Obelisk range has been indispensable.
Technically
speaking, the Obelisk defies conventional measurement. Mere
specifications can be wildly misleading here. Consider output power:
the Si is conservatively rated at 35 watts per channel into 8 ohms.
While this represents a humble enough watt/cost ratio, here 35 watts
don’t exactly equal 35 watts, since the Obelisk’s
non-DC-coupled design behaves rather more akin to valve amplifiers
(roughly speaking, Richard Hay’s approach was sort of a
“valve amp built with transistors”) of similar rating. With this kind of power on board, better valve amps
are capable of astonishing dynamic authority, and we’re more
than satisfied that the Obelisk Si adheres to this paradigm and then
some.
The Obelisk X-2
power supply (in fact, a dual-mono power amp PSU) ups the ante to a
full 50wpc (again, behaving more like so many valve-watts), while
allowing the original on-board power supply to dedicate itself entirely
to the preamp section. In other words, with the addition of this single
device, the Obelisk Si evolves into a fully-fledged dual-mono pre/power
combination!
Finally, the
ultimate Obelisk experience along the Si’s upgrade path is
realized by the addition of the Obelisk PAS stereo power amplifier in
bi-amp configuration with compatible loudspeakers.
But perhaps the
most distinguishing characteristic of the Obelisk Si, in any
configuration, lies in its inherent and exceptional musicality. With
each listen, we are keenly reminded of how organic and life-like recorded music can
be. But don’t buy
this story from us. Just read the verdict of one of the
world’s most distinguished
music & Hi-Fi publications, Diapason (France):
„The Obelisk
deftly negotiates dense passages with aplomb, yet is always accompanied
by finesse and simplicity, indeed, consider the best tube
amps.
It is much closer to the "live" magic of a reference-quality 300B than
it really has any right to. ...The Si’s dynamic range
approximates the spontaneity we hear attending a live
performance, evoking the very same impression. A genuine revelation at
a price, after all, without competition.”
(And just two short
months after this review was published, the Obelisk Si was named
recipient of the coveted Diapason
D’Or Award for 2008.)
For even a fleeting experience with the real world is better than thousand words in hi-fi, do try and meet the Obelisk
wherever you can – trade shows, Heed Audio dealers, happy
Obelisk owners.
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| Technical specifications: |
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Input
1. sensitivity/impedance:
Input 1. with MM phono module:
Input 2-5. sensitivity/impedance:
Power output:
Power output (with Obelisk X-2):
Signal-to-noise ratio (A-weighted):
Channel separation:
Distortion (THD, 1 kHz, 100mW):
Bandwidth:
Damping:
Pre-out:
Power consumption:
consumption (standby):
Weight (Obelisk Si):
(Obelisk X-2): |
250
mV / 10 kOhm
5 mV / 47 kOhm
250 mV / 10 kOhm
35/60 W (8/4 Ohm, 1kHz, <0.1% THD)
50/80 W (8/4 Ohm, 1kHz, <0.1% THD)
98 dB
>90 dB
<0,08%
7Hz-60kHz (1W, 8 Ohm, -1.5 dB)
>150 (8 Ohm)
0 dBm (775 mV)/ <50 Ohm
<160 W
5 W
7 kg
5 kg |
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